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An étude on the primal matter of hu"man"kind

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Dimitris Papaioannou had opened Istanbul Theater Festival with “Medea” in 2000, however I could not attend “Medea” at that time. And long after I admiringly watched the opening ceremony of 2004 Olympic Games in Athens, I learnt that it was Papaioannou who designed and staged it. As a person who watched all opening and closing ceremonies since 1984 Los Angeles Olympics, I can say that 2004 opening ceremony in Athens was the most creative one, followed by 1992 Barcelona ceremony designed by La Fura Dels Baus. Papaioannou's work was a contemporary work of art deriving its inspiration entirely from the past and culture of its territory and which managed to be universal without being folkloric like 1996 Seoul or pop like 2012 London ceremonies. I continued to follow the works of Papaioannou from the videos he shared on the internet which contained some parts of his works, DVD record of his work called “2” and finally from opening ceremony of 2014 Baku Olympics. That ceremony als...
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King Oedipus of Sophocles, as interpreted by Robert Icke

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© jan versweyveld  nowadays, a presidential election evening. it's just over an hour and a half before the results are announced. the politician who is highly expected to win the election comes together with his family for a dinner in the conference hall being temporarily transformed to the campaign center. the politician is understanding and loving towards his family, and ambitious, honest, and confident. he also believes in transparency so that he will permit the investigation into the cause of death of his predecessor when he is elected. while the excitement of the results of the election is being experienced, the facts about the politician's past remaining hidden even from himself are revealed one by one. when the election countdown is over, at the peak of the tension, the moment when it is announced that the politician has won the election and the moment when he realizes the hardest truth about his past coincide. the politician's name is oedipus. yes, king oedipus, the...
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Creating deep Mediterranean melancholy with humble materials. Interview with Dimitris Papaioannou

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[The Turkish translation of this interview is published and can be accessed on  art.unlimited .] Dimitris Papaioannou- Portrait (Photo: Julian Mommert) On the first Sunday morning of December in a sunny and warm weather, we meet with the painter, director and visual artist Dimitris Papaioannou in a cute café in Pangrati, one of Athens’ bohemian and green neighborhoods. Dressed in a black tracksuit Papaioannou is in an emotional and sad mood. Following its 2.5-year-long world tour in 38 cities of 23 countries with more than 70,000 spectators, his last work The Great Tamer was performed for the last time on two previous sold-out evenings (29-30 November 2019) at the Megaron, Athens' largest theater of 1750 people. When I ask him about how he feels, Papaioannou describes the final performance of The Great Tamer as “ the funeral, the funeral of the show ” and adds: “ I very much like the fact that we closed The Great Tamer , we finished it, but I’m also very emotional about th...
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