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Waiting for "Guernica Guernica" (20 September 2025, Jahrhunderthalle - Bochum) Can war be depicted on stage? The performing arts certainly find a thousand and one ways to tell a story, but can they convey the horrors and devastation of war and the sociology and psychology of the victors and losers without being didactic, informative or descriptive? FC Bergman, the Belgian theatre collective whose work I have followed for many years, successfully answered this question with their wordless performance Guernica Guernica, which premiered in the Bochum Jahrhunderthalle from 19 to 21 September 2025, during the final week of the 2025 Ruhrtriennale, directed by Belgian director Ivo van Hove. I will now attempt to explain how they achieved this through my impressions of the performance.  FC Bergman chose to depict the war using the Guernica incident. It's easy to understand why. Guernica is the name of a Basque town in Spain where a state bombed its own civilian population f...

Waiting for Golden Age (Stavros Niarchos Hall - Stavros Niarchos Foundation Cultural Center, Athens - 17 May 2025)  © Mehmet Kerem Özel The latest work by Greek choreographer and visual artist Konstantinos Rigos, Golden Age , which premiered on 12 April 2025 at the National Theatre of Serbia in Novi Sad as a co-production of the Greek National Opera (GNO) Ballet and the Belgrade Dance Festival, was presented to Athens audience for five performances between 9 and 17 May at the Stavros Niarchos Hall, the main stage of the Stavros Niarchos Foundation Cultural Centre used by the GNO. Golden Age , which played to sold-out houses, received full marks from the audience and an enthusiastic standing ovation. In Golden Age , Rigos looks back on his life experience and what he has accumulated in his 35-year artistic career as a dancer, choreographer, founder of the independent dance company OKTANA, movement designer for theatre shows, theatre/opera director, stage designer, visual artist, ar...

Waiting for  Typhoon  (Theatre Rotterdam - 23 April 2025) © Mehmet Kerem Özel Introdans   The seeds of Introdans, which takes its name from the acronym for 'Introduction to Dance', were planted in 1971 with Studio L.P., a private ballet workshop founded by choreographer Ton Wiggers and theatre director Hans Focking in Arnhem, in the east of the Netherlands. By 1979, Introdans had developed into a dance company that received project-based grants from the municipality, the regional government and the Dutch state. Today, Introdans, which has grown to become one of the three largest dance companies in the Netherlands with more than twenty dancers, is supported by many sponsors and donors, as well as the Dutch Ministry of Education, Culture and Science, the regional governments of Gelderland and Overijssel, and the Municipality of Arnhem. In addition, Princess Margriet of the Kingdom of the Netherlands has been the patron of Introdans since 2003. In addition to performing in ...

Waiting for Goodbye Lindita  (Eleni Papadaki Stage - Rex Theatre, Athens - 20 April 2024, 18:00) © Mehmet Kerem Özel Waiting for MAMI   (Onassis Stegi, Athens - 16 March 2025, 14:00) © Mehmet Kerem Özel Born in 1998 in Tirana, Albania, residing in Greece since 2004 and graduated from the Athens Conservatory Theatre School of Acting, director Mario Banushi is currently the youngest rising star in Europe, and even the world, in the performing arts.  Following the end of the pandemic period, in 2022, he garnered significant attention with his inaugural work, entitled Ragada (Stretch Marks). This was followed by Goodbye Lindita , staged in 2023 upon an invitation from the National Theatre of Greece, which played to sold-out crowds in Athens for a period of three years, while also touring the world. Invited to the Amsterdam Brandhaarden Festival in February 2024, the Madrid Festival de Otoño, Dresden and Munich in the fall, and the prestigious Adelaide Festival in Australia in...

© Mehmet Kerem Özel GöteborgsOperans Danskompani (Gothenburg Opera Dance Company), which celebrates its 30th anniversary in the current 2024-25 season, has evolved over the past 10 years from a classical ballet company to a company that performs exclusively contemporary dance pieces. The company's general strategy is not to have a resident choreographer, but also not to have a choreographer as artistic director. Instead, the artistic directors commission pieces from choreographers of their own choosing, and this strategy ensures that the company's repertoire is full of world premieres. Very rarely does a piece created for another company become part of the repertoire. Katrin Hall, the company's artistic director since 2016, follows in the footsteps of her predecessor, Adolphe Binder, and continues to bring the company a repertoire of original pieces by today's most sought-after choreographers, as well as young choreographers just emerging on the international dance scen...

© Pinelopi Gerasimou  Greece has had, and continues to have, important creators in the field of contemporary dance over the last 20 years. Dimitris Papaioannou, who became known with his work in a squad in Athens in the second half of the 80s, peaked with his extraordinary creation for the opening and closing ceremonies of the 2004 Athens Olympic Games, and has continued to mesmerise audiences with his subsequent pieces. In addition to Papaioannou, Ioannis Mandafounis, who studied dance and has been choreographing since 2004, has been at the head of the Dresden Frankfurt Dance Company, which was founded by William Forysthe, since last season; Euripides Laskaridis, whose work we had the chance to see in Istanbul two years ago, has been travelling the world from Chile to Finland, from the Far East to London with his pieces in which he blends the grotesque and pop with his unique style and in which the use of sound and material stands out; Dancer and choreographer Andonis Foniadakis n...