Jude, the child of suffering presented by a mise-en-scène far from agitation, voyeurism, or melodrama

© Jan Versweyveld A large empty space in the middle of the stage; the floor of the space is orange-red, near the center of the space stands a white pedestal sink. This is Jude's domain. Jude's painful past comes to life here, and all the characters who made him suffer appear here. In the present where the play takes place, Jude repeatedly leans against the foot of the sink sitting in front of it on the floor and cuts into his arms. The blood falls to the floor; its orange-red color comes from being bathed in Jude's blood over the years. The narrow long spaces around this large empty space on the stage are the places of Jude's friends; the kitchen of the house where he was adopted at a late age, the architect’s office, the painter's workshop, the doctor's office. All these spaces surround the gap in the middle, just as all of his friends surround and embrace Jude, sensing his injury and trying to avoid him from his pains. Each one of them; one as his lover by car...